ALIENS (1986) - Reebok "Bugstomper" Crew Jacket
A crew jacket from from James Cameron’s action sci-fi sequel Aliens. Made of grey cotton by Reebok, this lightweight jacket features a zip front closure, knitted waistband and cuffs, epaulettes at the shoulders and a pair of pockets printed with the film’s title. The rear features the “Bugstomper” nose art seen on the Colonial Marines’ dropship in the film along with a Reebok tag. Marked as size large, the jacket has some very minor fraying on the cuffs and waistband but is in otherwise very good condition.
£200-400
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ALIENS (1986) - Alien Warrior Suit
An alien warrior creature suit worn in the James Cameron’s action sci-fi sequel Aliens. Stan Winston Studios was tasked with updating H.R. Giger’s original design for the alien creature and built several styles of alien costumes to meet different requirements. This particular suit was worn by a stunt performer during the film’s many action sequences. Aliens also made use of full-size puppets, but all shots requiring dynamic motion were accomplished by the talented stunt team.
The costume consists of a black nylon bodysuit with attached hard polyfoam creature parts. Some of the pieces are still coated in their original yellow alien blood. The piping sections on the arms of this costume are actually painted lengths of string rather than the corrugated tubing, which is present on the legs. The twine detailing was acceptable for this stunt costume as it was designed for use in fast-moving action sequences.
This costume came directly from a senior member of the stunt crew who wore it during production and was gifted the piece after filming. The piece is displayed on a custom-made stand and remains in remarkable production-used condition. Dimensions: 57 cm x 45 cm x 170 cm (22” x 17½” x 67”)
£20,000-30,000
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ALIENS (1986) - 1/4-Scale Alien Queen Puppet
A ¼-scale puppet of the Alien Queen from James Cameron’s action sci-fi sequel Aliens. This puppet was used for the model miniature shots during the scene in which Ripley (Sigourney Weaver) drops the beast into the Sulaco’s airlock, only to be dragged down with it.
Conceived by director James Cameron and brought to life by Stan Winston Studios, the puppet is made of multiple components built around a metal armature for strength and was designed to be dropped to accommodate the shot. The head, crown and body of the puppet are made in dense urethane. The Queen’s teeth are cast in translucent resin to match the detail of the full-size creation. The arms are made of foam latex with urethane used for the tail, while the legs are made from latex and polyfoam.
Due to their age, the outer limbs have deteriorated. Wire runs down the length of the tail and down the arms in order for the limbs to hang freely for the fall. The Queen’s carapace is finished in black with blue highlights to match the lighting of shots within the Sulaco hangar. Due to the age of the piece, the foam latex components have stiffened and become brittle, crumbling at the extremities and points of stress. However, the head and crown remain in very good condition. The puppet is supplied with a custom-made display stand. Dimensions: 73 cm x 46 cm x 74 cm (28¾” x 18” x 29¼”)
£20,000-30,000
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ALIEN³ (1992) - Crew Jacket
A crew jacket from David Fincher’s sci-fi sequel Alien³. Made of black artificial leather by Custom Special Tees Inc., the collared jacket features a zip and button closure at the front and open pockets at the sides. The back features the Alien³ logo embroidered in white and a patch for the Weyland-Yutani penal colony on Fiorina 161 is embroidered in black and white on the left arm. Another black and white patch bearing the “Serenity Through Confinement” emblem seen on Weyland-Yutani staff jackets in the film, appears on a pocket on the crew jacket’s interior. Marked size medium, it remains in worn but very good condition.
£80-100
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ALIEN RESURRECTION (1997) - Ripley's (Sigourney Weaver) AR-2 Flamethrower
Ripley’s (Sigourney Weaver) flamethrower from Jean-Pierre Jeunet’s sci-fi sequel Alien Resurrection. A practical “incinerator” version of the multi-function AR-2 assault rifle, this particular unit appears to have elements that match on screen to the scene in which Ripley threw the rifle to the ground after burning the various failed Ripley clones.
The weapon is made primarily of fibreglass and features rubber and metal dressing components running along the barrels. To create the pilot flame effect, gas was piped into a tube run through the length of the weapon to the nozzle beneath the top barrel, which had an interchangeable head for use on screen. This head was replaced with the standard non-practical AR-2 version after this sequence was filmed. A Surefire tactical light, activated by a switch built into the body of the weapon, is fitted into the weapon’s front grip.
A working electronic counter is fitted at the top of the receiver. Powered by a 9V battery within the upper barrel, the readout counts down when the lower trigger is pulled.
The rifle is well-used and shows production wear, including a large crack through the receiver—likely caused by Weaver dropping the piece in the scene—which was repaired during the production. Dimensions: 9 cm x 100 cm x 27 cm (3½” x 39½” x 10¾”)
This item contains electronic components. While every effort is made to describe them accurately, no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is entirely incumbent on the new owner to satisfy themselves as to their safe use and maintenance.
£3,000-5,000
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